Darío Escobar



 




Astiasarán, Clara Elena Concepción. Darío
Escobar, Art Nexus, volume 1, no. 43,

(2002): 123-24.

Auerbach, Ruth. ARCOnoticias, no. 24 (Madrid 2002).

Bondone, Tomás. Problematic and feverish. ARCOnoticias,
no.23, Spring 2002.

Brielmaier, Isolde. “Double Take: The art of Dario Escobar and Patrick Hamilton”,
Exh. Cat. (Pag. 21 – 27) Objetos en Transito, Sala Gasco, Santiago de Chile.
2006.

Cazali, Rosina. “Ready Made Ready”, Exh. Cat.“Serpentario”
( Pag. 20, 26) Centro

Cultural de España en Guatemala, 2005.

“Darío Escobar: Fin’ amors for Objects”, Art Nexus, no.
38 (November

2000-January 2001): 76-79.

“Le Guatemala: En route.” In L’art Dans le Monde. Exh. Cat.
Paris, France:

Beaux Arts, 2000.

“2nd Ibero-American Biennial of Lima”, Art Nexus, no. 35 (February-April
2000): 92-95.

“Contemporary Art in Guatemala”, Art Nexus, no. 32 (May-July 1999):
68-71.

“First Art Biennale of the Central American Isthmus,” Art Nexus, no.
31 (January-March 1999).

“Darío Escobar, El becerro de oro”, Colloquia: Proyecto para
el arte contemporáneo, n.d.



Cisneros, Dayamick. “Dessicated and Reconstituted”,
Arteamérica (January 2004).

Damian, Carol. “Art Miami 2001”, Art Nexus, no. 40
(May-July 2001): 96-98.

Calvo, Enesto. “Espacios Provisionales: Sentidos difusos,
significaciones equivocas”.

Exh. Cat.“Serpentario” ( Pag. 20, 26) Centro Cultural de España
en Guatemala, 2005.

Díaz, Tamara. “Art in Central America: The Critical
Glance”, Atlántica, no. 31 (February

2002): 40-69.

de Santa Ana, Mariano. “Hybrids on the Side”, Lápiz,
no. 186 (September-October 2002)

Gallego P., Pablo. Dossier presented in Monografías, Galicia
School of Architects,

vol. 1: 52-54.

.

Gallegos, Carina. “Dario Escobar”, Art Nexus, no.
55 vol. 3 (January-March, 2005):

153-55.

Gomez Eduard M. “The Unmistakable Touch of the Hand”,
Art & ANTIQUES, October 2007: 157-160. Gomez Eduard M. “Hip home for
art in Mexico City”, International Herald Tribune, 27/04/2005.

González, Lorena. “The Object´s Evil Genious”,
Arte al Día News, no. 5 (2004): 3-4.

Herrera, Adriana. “On Out!”, Miami Herald, June 2004.

López Anaya, Jorge. “La fluida geografía
del arte latinoamericano”, ARCOnoticias

no.23, (spring 2002): 52-54.

Loría, Vivianne. “Marginalidad y transculturación
en el arte centroamericano”, Lápiz,

no. 177, vol. 20 (November 2001): 18-33.

”Mesoamérica: Oscilaciones y Artificios.” In Mesoamérica:
Oscilaciones y Artificios. Exh. Cat. Centro Atlántico de Arte Moderno (CAAM).
Canary Islands, Spain, 2002.

“Dario Escobar: Emblems of Modern Stubbornness.” In Visual Entertainments.
Exh. Cat. Museo de Arte Moderno. Mérida, México 2003.

Navarro, Mario. “Objetos en suspención”, Sol
del Río Gallery, Guatemala City,

February 2000.

Quirós, Luis. “En la Era de la Mitotécnia”, La Nación,
San José, Costa Rica,

March 2000.

Ribeaux, Ariel. Darío Escobar: The Seductive Perversity
of the Road to El Dorado

(Step by Step), Galeria Sol del Río, Guatemala City, Guatemala.

Ruiz, Alma. “La Linea Interrumpida”, ArtMedia, No.14
(2007): 46-54.

Spinger, José Manuel, “Dario Escobar, KBK Arte Contempoáneo”,
Art Nexus, No. 61 (2006): 132-133.

Valdés, Emiliano. “Striking objects” , Contemporary,
no. 66 (October 2004): 45.

“In the Labyrith of Consumptions and Creation,” Artes en Santo Domingo,
Dominican Republic, (November 2004).

Valdés, Eugenio. “Stories of Alienatives (any similarities
to real facts or persons are

not purely coincidental).” In Short Stories: New Narrative Forms in Contemporary
Art, 41-49. Exh. Cat. La Fabbrica del Vapore. Milan, Italy: lalitotipo, March
2001.

Valdés Eugenio and Keith Wallace. “Introduction.”
In Stretch. Exh Cat. The Power Plant. Toronto, Canadá: press, 2003.

Zamudio-Taylor, Víctor. “Objetos Relacionales: Darío
Escobar & Patrick Hamilton.” Exh. Cat. Sala Gasco,(2006): 10-13. Santiago
de Chile, Chile.

Zaya, Antonio. “Dario Escobar”, Atlántica,
no. 31, (Winter 2002): 25-27.


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Books