| |
1 - 20 of 40
|
|
|
|
| |
Series To Cut, To Copy, To Tie,
2000 |
|
|
|
| |
Gotas
2003 |
|
|
|
| |
Xawara Yanomami Siglo XXI
2003 |
|
|
|
| |
Medusa
2003 |
|
|
|
| |
Crucen El Puente
2000 |
|
|
|
| |
I Want To Believe
1999 |
|
|
|
| |
Vagabundo del Espacio
1999 |
|
|
|
| |
Memoria
1999 |
|
|
|
| |
Libelula
1998 |
|
|
|
| |
Pulipulipabara
1998 |
|
|
|
| |
Raspadores De Monedas
1997 |
|
|
|
| |
Todo y Nada
1997 |
|
|
|
| |
Mi Moneda Favorita
1997 |
|
|
|
| |
Orinoco
1996 |
|
|
|
| |
Nomada
1996 |
|
|
|
| |
Cuencas Hidrograficas
1995 |
|
|
|
| |
Laberinto
1995 |
|
|
|
| |
Nidos
1995 |
|
|
|
| |
Chin Cho rros
1995 |
|
|
|
| |
Esfera Precolombina
1995 |
|
|
|
|
|
|
 
Untitled Document
ACTIVITES
1951 Milton Becerra was born in Colon, Tachira, Venezuela.
1967
- 1972 Studies Fine Art at School of Arts Plastics "CRISTOBAL ROJAS"
in Caracas.
1972 - 1980 He participated in the workshop of Carlos Cruz Diez
- Caracas.
1973 - 1974 Stud...
Venezuelan artist Milton Becerra holds a singular place in the history of art in Latin America, a continent where the memory of pre-Columbian cultures, of its icons and myths, is an ever-present resource brought to the fore by means of very diverse approaches, visions, and interpellations. This Parisian show of works by Becerra is characterized by an excellent curatorship (despite the limited space available,) and comprises a large number of pieces (twenty-six small objects, four drawings in ...
 
|