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  ARTNEXUS WEEKLY NEWS. February 15, 2013
15/02/2013

 

 

 

 

 

 

Press Release

ARTNEXUS NEWS, WWW.ARTNEXUS.COM


February 11 to 17, 2013

Call

Transatlantic Encounters: Avant-Garde Discourses in Spain and Latin America

The Centro de Ciencias Humanas y Sociales (CSIC), along with the Department of Arts and Humanities of Saint Louis University, Madrid; the Colección Patricia Phelps de Cisneros; and the Museo Nacional Centro de Arte Reina Sofía.

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Call

Resó Program Residence

Through February 18th, 2013, Lugar a dudas is receiving applications for a RESÓ Network residence program, offering residence in one of the following institutions in Italy’s Piedmont region.

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Exhibition

The Concrete Invention:

Colección Patricia Phelps de Cisneros

The Fundación Cisneros/ Colección Patricia Phelps de Cisneros inaugurated on January 23 its first large exhibition in Europe at the MNCARS in Madrid. Entitled The Concrete Invention.

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Exhibition

Performance, Maria Elvia Marmolejo

María Elvira Marmolejo, one of the most radical performance artists to emerge in the 1980s, returned to the public arena on February 1st, after 30 years of silence, with a performance titled 1 mayo 1981 – 1 febrero 2013.

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Event

FotoFest Announces Theme and Dates for its 2014 International Biennial

The 15th International Biennial of Photography and Photo-related Art will take placed Mach 15 through April 27, 214, in Houston, Texas.

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Installation

Alexandre Arrechea

Alexandre Arrechea’s No Limits will be on display at various points along Manhattan’s famous Park Avenue from March 1st through June 9th, 2013.

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HEARD ON THE STREET
 
 

Expo Tatto 2013

An event that brought together the best tattoo artists working today and that has been catalogued the greatest of its kind in Latin America, Expo Tattoo was open to the public from January 23-27, 2013.

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BOOK FOR SALE
 

Book

Noé Katz

The book embarks upon the pictorial segment of the Mexican artist’s work, as well as on his creations for buildings and public spaces. A written text by the artist is included commenting on his visual production as well as two essays analyzing aspects of his career, a biographical note and exhibition chronology.

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