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Video
On the occasion of the first retrospective exhibition by Brazilian artist Lygia Pape, titled "Lygia Pape: A Multitude of Forms (1927?2004)," at the MET Breuer, we feature an interview by the Museo Nacional Centro de Arte Reina Sofía with curator Teresa Velázquez who talks in detail about the exhibition "Lygia Pape. Magnetized Space."
In the interview, Velázquez addresses the work by Pape and the artistic influences of European geometric abstract art in her work, as well as the manner in which she incorporated these influences into the cultural context of Brazil based on notions of the body, time and space. Velázquez also describes and analyses some of the works included in the exhibition, like the Tecelares (Weavings), Ballets Neoconcretos (Neo-Concrete Ballets, created in collaboration with artist Gilberto Mota and poet Reynaldo Jardim), the performance titled Divisor (Divider), and Libro de la Creación (Book of Creation), among other works.
Lygia Pape was cofounder of Brazilian neo-concrete art and was interested in establishing connections between art and real life. By incorporating life experiences into art objects, she became one of the first Latin American Artists in considering the merging and interaction of the space inhabited by the work and the space of viewers.
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